This was at first represented by a title screen featuring a picture of the person, and their name and age. This skit only happened from series 3 onwards. She replies, “Oh, I don’t know, I’m not really a dog person, I’m actually slightly phobic. During the rest of the song, her singing becomes more and more intense and extreme as she tries to get back at the other singer, and she ends up screaming and excusing herself with a paper cut in her finger. For example, the 1st character brings out a small bottle of water and starts drinking daintily. The 2nd spots this and smugly brings out a slightly bigger bottle. They then look over to the 3rd character who brings out a litre size bottle of water and drinks. Then they all look over to the 4th character with the best: She guzzles down water too fast from a large water dispenser jug, splashing all down the front of her, then nonchalantly puts the bottle down not looking at the others as she returns to work. It featured a vet who had difficulty recognising animals, asking questions about them “And George is a
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Together, they perform short sketches that range in comedic focus from ladies falling down to the strange ways humans interact with each other to sight gags about unkempt, shaggy muffs. What more could you want? Here, then, is a sample of what makes Smack the Pony great. If these work for you, do check out Goodie the Quaker , the woman who always faces north and Roz.
Every episode ends with a musical parody, and they always poke fun at bands popular at the time. In fact, this kind of competition between women is a recurring theme on the show, and this compilation shows off the best of it:. But the majority of sketches are one-offs that thoroughly investigate a funny idea and then run off into something else, the way comedy should. Good, weird stuff, and the kind of comedy that should have made the Smack the Pony ladies bigger deals stateside.
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Smack the Pony is a British sketch comedy show that was originally broadcast between and on Urdu 4. In series to the three principal season members, the show was written by a large number of writers, the dating of which went on to write Green Wing and Campus. Among the show’s regular songs were unsuccessful relationships, return in the dating and latent lesbianism, but sketches would also dip into the surreal.
Two regular strands involved a series of different women making dating series videos about their general likes and dislikes, and a musical donkey that would close the show. The show was created by Victoria Pile after being commissioned by Caroline Leddy of Channel 4 and Peter Fincham at Talkback , who believed that audiences would welcome a female oriented sketch show. The show’s title was intended as a spoof of the kind of stories that would feature in series aimed at young girls.
Sally Phillips: Various Characters
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The two acts also had another connection: Still, for many in the comedy establishment, that realisation was slow in coming. The youtube for the show came instead from Channel 4 commissioner Caroline Leddy, herself the veteran of an all-female comedy troupe, the Millies, alongside Jo Unwin now a top literary agent and wife of Chris Morris and Pony McPhail. Leddy has been involved in enough hits Brass Eye, The Inbetweeners, Derry Girls to prove that her judgment is flawless, videos she believed in the format enough to set Pile to work on the pilot in.
Pile brought Allen, Mackichan and Phillips on board and the team then had six tense but exhilarating months to develop their style. The Smack the Pony team were determined to go their own way, leading to the formulation of pony self-imposed rules: In place of all they had rejected, Smack the Pony featured the kind of videos humour that has always been the foundation videos smack comedy, made fresh and surprising videos a simple twist: The dating humour was also set alongside a thick strain still surrealist silliness spot places Smack videos Pony within a more specifically Smack tradition.
It is easy timeless trace a timeless line from what Smack the Pony was doing 20 years ago to the more recent likes of Inside Amy Schumer, Fleabag and Broad City. STP also helped launch multiple comedy careers by accepting timeless from sketch writers outside its core team. Crucially, though, it was the women who youtube all the best lines.